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Research on virtuosity and architecture.
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Study of the contemoprary stage-less amphitheatre.
Today’s incarnation of the stage-less theatre is
not only bound up in the casual economization of
free time and public presence, but it also carries
with it, by virtue of its very physical structure,
immutable attributes of hierarchy and exclusion.
The tiered seating form is specific. And its
contemporary portrayal of publicness is made
questionable by the earliest attempts to organize
an audience.
Published in Pidgin 28, Fall 2020
Princeton School of Architecture
2020-2021